The New GodDarkseidis one of DC Comics ' most muscular and dangerous villains ; the swayer of the god-awful humanity of Apokolips and the embodiment of tyranny itself , set on enslaving the intact universe . Despite that , Darkseid is sometimes portrayed in unlikely situation , and multiple stories have sport him surprising people who arrive home to discover him sitting on their couch . This running put-on commence with Darkseid ’s creator , Jack Kirby , who inNew Gods # 2portrayed Darkseid waiting in his rebellious son Orion ’s apartment , sitting in his chair . Future stories and devotee artists emphasized the apposition of the god of evil and such a domesticated setting , but while this image is often treated as a jest , it   actually has serious implication that make Darkseid even scarier .

create by the fabled Jack Kirby along with the rest of the New Gods of the Fourth World , Darkseid quickly uprise to become the major baddie of the DC universe . The indweller of Apokolips and New Genesis have evolved towards godhood due to their proximity to the reference , the heavy energy of creation from which all liveliness is born . Darkseid , however , is obsessed with the seed ’s dark opposite , the Anti - Life Equation , a   otherworldly mathematical formula that allows him to reign the will of every sentient being in the universe . This is the main difference between the ruler of Apokolips and other villains : his use is not destruction , or destruction ( as in the case ofhis Marvel equivalent , Thanos ) , but captivity in its purest form . Darkseid loathes loose will and wants to extend his control over all of creation .

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Genevieve O’Reilly as Mon Mothma looks back on Chandrila during Leida’s wedding reception, edited with circular imagery.

Like all the New Gods , Darkseid is a conceptual being that exist outside the physical universe . Even if he has been address the " god of evil , " what Darkseid actually embodies is tyranny , control , and ultimate ego , and this is why the couch jest is scarier than it looks . certainly , finding a dangerous and close - almighty baddie await on your lounge is frightening , as it relates to the " home invasion " repugnance figure : people usually believe their domestic environment to be a dependable shoes , so seeing it violated provokes an instinctive reception of revulsion . This has been used in comic strip to great result in the past , for model inAlan Moore ’s famousThe Killing Jokesequencein which the Joker bear witness up at Barbara Gordon ’s threshold .   However , the bearing of Darkseid in the domestic space does not represent a forcible threat , as would be for the Joker , but rather is a metaphor for his front in every head and life .

Darkseid is the strong-arm embodiment of concept that already exist in every life : self - interest , the drive to overcome others , the abuse that the powerful perpetrate against the powerless . citizenry experience this every day , from a tyrannical hirer at work to hearing the belated news about cataclysm start on around the world . It ’s human nature to pretend these things do not exist , especially in the warm comfort of the house , and that ’s wherethe presence of Darkseid acts as a shocking reminder . He is n’t just waiting ; he was always there . He is everything that is haywire with the world , and now that he ’s made his presence know , there is no more escaping and no more pretending .

Tom King’sMister Miraclesubverted the Darkseid sofa gag , by showing Scott Free playacting with his shaver on the sofa while Darkseid is sit down on the other end . The nifty weight of evil in the Earth is still there in some form , but the other prospect of his life history do n’t need to be subordinate to that fact . What is often run into as a running jape , showingDarkseid , one of DC Comics ' scary scoundrel , nonchalantly model on a couch ,   is really a muscular and scary metaphor of all the things people do n’t desire to look at but which can still act upon their lives .

A man with nuclear explosions going off behind him in The Far Side.

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