Into the Deep
Jon Seda and Christian Sesma are search a different kind of shark movie and convey a music genre image with them forInto the Deep . Sesma , a music genre old-timer after helm everything from the Val Kilmer - starringPaydirttoFrank Grillo’sLights Out , reunites with writers Chad Law and Josh Ridgway for the film , having base himself drawn into their script by the fact it ’s more of a aboveboard thriller than a intimate creature feature . This also changed his approach to building out the cast for the film , including Seda in a uncommon villain role and Richard Dreyfuss in his first shark movie sinceJaws .
Into the Deeprevolves around maritime biologist Cassidy(Scout Taylor - Compton ) , who finds her and her hubby ’s diving trip break by modern - day plagiariser taking her and the others on their gravy holder surety in an effort to reacquire a lost shipment of drugs . The plagiarizer radical is led by Seda ’s Jordan , a sociopathic former Navy SEAL who prove a unique respect for nature and the shark in the nearby area . However , as his desperation grows to get the drug on the sea level , he drive Cassidy and the diver to regain them for him , unknowingly scupper them all .
Ever since Spielberg ’s germinal blockbuster , Hollywood has been eager to cash in in on the killer shark fury . Here are the 15 safe alternate examples .
In honor of the picture show ’s expiration , ScreenRantinterviewed Jon Seda and Christian Sesma to discussInto the Deep . The film director reflected on the singular journey to getting the moving-picture show made , including his efforts to convince Dreyfuss to return to the shark musical style 50 days later , as well as being unable to use virtual effects for the film . Seda , meanwhile , talk about changing his approach to playing a scoundrel after being have it away for playing protagonists , as well as being wow by Sesma ’s sureness in the director ’s chair , and his thoughts on apotentialOne Chicagoreturn .
Seda Really Put His Trust In Sesma For Various Aspects Of The Film
From Storyboards To Creative Conversations, The Director Knew What He Wanted
Beyond what can be found in the video above , Seda excogitate deeper on his experience make with Sesma in the director ’s chair onInto the Deep . The star withdraw being moved by the fact that Sesma"just really sleep with exactly what he wanted"from every aspect of the film , while also praise the confidence he was capable to build with him and the rest of the crew during production :
Jon Seda : What I loved about Christian was the fact he just really know precisely what he want . He had a vision , and he had great people , like Niccolo De La Fere , the cinematographer , camera operator . He ’s just very precise in knowing what he wanted , and I think that confidence gave me more of a rise , just for my performance , to kind of take that same kind of advantage spot that Christian was giving out , that real confidence , and added a small act of that to Jordan .
So , in that regard , in that regard , I ’ve worked with a mint of a quite a little of great film director , a mickle of dissimilar case , a lot of different multitude , but Christian , really , he have it off what he require , and he ’s sure about it , and you may really trust him . And trustingness is a freehanded , big affair in this industry . I just felt so well-heeled in his hands , and I think we all did . I could speak for the other worker , as well , everyone just mat up comfortable with him . So , I think that ’s a huge part of it . That he garnishes is really something that uplifts all of us as actors .
Custom Image by Ana Nieves
continue on from Sesma ’s vision , Seda confirmed thatmuch of Jordan ’s look in reality came from a storyboard - like drawing done by the director . This almost even led to a abbreviated hiccough in Sesma ’s plans when Seda deal changing things up with a haircut and a full beard , only for the conductor to quickly require him to keep it all intact . As to the real personality of the scoundrel , Seda again found he put the absolute majority of his trust in Sesma , though did recall feeling uncertain that one of his big talking to would make it into the last cutting of the photographic film :
Jon Seda : Christian was really good . Like I said , Christian has a vision not just for a wide shot of a aspect where there ’s no actors , to a shot that ’s tight and conclude up on an player . He has the whole visual sensation , he ’s got the storyboard in [ his school principal ] , and he actually sent me — I ’m indisputable he ship it to everybody — a kind of storyboard - ish matter with the character , the vision that he had from all the clothes they wore , to the facial hair , if they had any or not . He had a pretty firm vision . And for me at the time , my fuzz happened to be middling long when I was filming . I guess it was kind of done around here , and really , it was middling long .
So , that helped , and I recall I was almost going to cut it , and I recall Christian call me and went , " Hey , is your hair still long ? " I pronounce , " Yeah , " and he was like , " Keep it , keep like that ! " [ Chuckles ] Because he had a visual modality of the hair pulled back . And I mean about maybe go with a byssus or something , and he was like , " No , lease ’s just keep [ it shaved ] . " So the look was very thought out . I did n’t write this , this is n’t something that I came up with , so I believe in their visual sense , and I just kind of take what he saw . I have in mind , if it was so from left field , and did n’t make sense , it was something we ’d converse about . But I do my part , which is to strain to take what they see and what they ’ve write , what Chad Law and Josh Ridgeway wrote , and Christian ’s vision , take it in here , and put all the pieces together , like the backstory , all that .
Into the Deep follows divers in pursuit of sunken treasure who inadvertently witness a drug deal gone wrong. Their predicament worsens as they are hunted by modern-day pirates and a formidable great white shark, threatening their survival in unforgiving waters. The film explores themes of greed, survival, and the ruthless nature of the sea.
It ’s like a football game player on Sunday . It ’s not my uniform , it ’s their uniform , but I just got ta check that it correspond . Put it on and allow ’s go to employment . That ’s kind of how the look came about , and the cicatrice and that all plays into how I go about the character . There ’s a reason why that scar is there . Obviously , he ’s wear out a necklace , there ’s a pretty foresightful description that he sacrifice , which is very Jordan like , you live , to just stop and give a class in the middle of someone die , who ’s just been eat up by a shark . But , he is well - versify with the sharks , and he bed a lot about them , so there ’s that connexion , too . I think of when we were doing [ that speech ] , I was like — because , like I said , my job as an role player is to act , I did n’t write it .
So , if there ’s sure thing that do n’t make sense , yeah , we ’ll utter about sure Good Book or sentences . But , if they want me to say something that ’s just gaga - ish from left discipline , my job is to attempt to make that work . And when they see it in the editing way , if it bring for them , and they want to keep it , they keep it . If they do n’t want to , they ’ll cut it out . On other projects , that ’s happened , you jazz , you do something , later on , they abbreviate it out , and you go , " Yeah , well , it makes sense why they cut down that out . " So , when we were filming , I remember thinking , " They ’re not going to keep this whole speech , there ’s just no fashion . They ’re probably going to trend it up . " [ Chuckles ]
But they keep start the whole speech , and it made sense , because when I look at it , the response from the other characters in the scene is like , " What the hell is going on ? What is going on ? What is he talking about ? Someone ’s decease here , and he ’s here to help . Is he help us ? What is he doing ? " If that ’s the reaction , then I think it worked .
Another area where Seda found himself putting his trust in Sesma ’s vision was the depiction of the sharks themselves , as no practical sharks were used forInto the Deep , all of them being created with visual effects . This , in turning , presented a new challenge for Seda , who has n’t worked on many VFX - heavy labor , and it was again Sesma ’s dedication to being well - prepared for a production that gave the star the prick call for to believably put together the shark scene :
Jon Seda : candidly , I did n’t , it ’s not like I did a mass of inquiry and stuff , but just having conversation with Christian and lecture to the writers , just talking about how they see it . I mean , candidly , I do n’t think it takes much to act frightened of the shark , in a sense , you recognise ? I ’m here , and I got the ocean when looking out the windowpane , and I ca n’t even imagine being in the water supply and there ’s a shark there . So , yeah , and Jordan has so much respect for them , which that stop scene , it ’s just ironic how he comes to his death in such a way with the shark . But , yeah , I did n’t really do too much inquiry .
I want a circumstances of poppycock to just kind of come more organic . Sometimes , you’re able to do too much , if too much inquiry , in a sense — it depend on what the projection is , what the character is . Sometimes , just sound with just enough understanding of what ’s being ask of you , and just judge your best to make that as organic as you could , I think that sometimes that ’s where you find gold . Sometimes , in one take , you find gold , sometimes it ’ll take 10 takes . We did n’t have way for a lot of takes , so , you just had to seek to live it , be in that present moment , and be present . specially that destruction vista , going over the boat into the water . I believe we might have done it doubly , because it ’s tough . You go over it , and you receive to reset everything and all that .
It was kudos to the crew and how they were able to arrange up . The sauceboat are always moving , and Niccolo and his team are out there on a minuscule raft with the camera in the water , and they ’re setting the inflammation , and they ’re gear up all the makeup , and the line and all that . By the meter they get it set , the gravy holder have shifted , so now , you ’ve got a different background signal that does n’t play off where you were before , and the lighting is different . So now , you ’ve have to reset , and it ’s deadening to reset everything you know , and then try on to plant it all up again . So , that happened a few times where you got the fact that you were dealing with all those element to be able to get it in a couple takes .
Sesma Had To Do A Lot Of Convincing To Get Dreyfuss On Board
The Director Also Spent A Lot Of Time Researching Sharks
While Sesma direct to birth a aboveboard thriller rather than a classic shark moving picture , the fact that it was still part of the latter genre proved an interesting challenge for the director , as he really had to convince Dreyfuss to join theInto the Deepcast , in particular since he ’s an avid defender of shark conservation since having starred inSteven Speilberg’sJaws . This did , however , result in some meaningful conversation between the two , including ending the flick with a PSA from Dreyfuss discussing shark saving :
Christian Sesma : 100 % , for sure . It was n’t an gentle sell , and it was n’t an easy sell the first clip . This was really just a moral guinea pig of how he want to accede it or not , because him and the original writer of Jaws had a really strong view on how that movie affected the actual ecosystem , so they did n’t want to do that . So we wanted to make certain his idea of how his character was going to come on fit into the narration . So , the sales talk from the beginning , even the original script , was that the shark were never really the reliable baddie in this movie . They ’re dangerous , and you ’re gon na get mauled by a shark if you ’re messing with sharks , but it was n’t the brute feature villain of the movie . So , I reckon that was what attracted him , too .
And I was like , " Okay , well , if we can do it this way and also kind of fit into the narrative of how I did the ending with Cassidy ’s cathartic bit of harmoniousness with nature . " They ’re not the villain , they ’re not the forged guys . We ’re just out of sync in nature here , so that attracted him to this , as well . So that , plus he really wanted to have an eco message in the end . He was like , " Okay , I can get behind something like this . " Yeah , you ’re like , " See you later , pealing credits . " [ Chuckles ] But I thought that was something that , again , palpate was apropos for the film . You had a " shark movie " that did n’t make sharks the baddie , and have ’s really have a talk about this . And this is something that he really finger passionate about doing .
The pic ’s allegiance to being precise in its shark depictions did n’t solely shore on Dreyfuss , either , as Sesma spent a quite a little of time before and during product explore shark preservation , humorously return how his social media were oversupply with various videos about them . He go on to describe how he acknowledge that while Cassidy ’s cease with the shark might be anticlimactical in the way of the genre , he stands by it for being reliable to life , and yield the movie a chance to stomach out :
Christian Sesma : Man , my Instagram Reels and algorithms and TikTok algorithms were like shark , Great Whites , Shark Week . It was mad for months and month . [ Laughs ] It was a ton of that . So , it was n’t just when Dreyfus had these conversation , he knows a ton about the ecosystem and about shark preservation , but it was really about , " How are we going to make this stand out , where we still have to service the genre " , right ? Like , we sympathise it ’s unsafe , we ’re construct suspense , this and the other , but I think the most part , for me , I say this all the fourth dimension , I want to have this " Use the Force , Luke " instant at the end with Cassidy and the shark .
If Dreyfuss is Obi - Wan , and Cassidy ’s Luke , and then the whole time he ’s seek to instruct her something . At the end , you have that cathartic moment . How is that go to pay off , but in a mode that is naturalistic on some level ? Some masses see it , and they go , " What ? " I ’m like , " You guys , if you ’re ever coming across a tiger shark or a Great White , or something of that nature , you’re able to not run away . you’re able to not splosh away . " You go see Shark Week , they all have to twist and face the shark , take off the mask , the centre have to match . So you have to see them , and you have to extend to the nose and airt . You ca n’t freak out . So , I felt like all of Dreyfuss ' teachings along the means were teaching her to conquer her fear enough to have that moment where she is grimace to face with her superlative fear , and she does n’t give in to her fright .
She ’s able to have this emotional minute where she just meets her fear pass on , and is able-bodied just to deflect it , and it just kind of go off , and that ’s it . That ’s the end of the shark . And I sympathize , for the genre , it ’s a little bit anticlimactic in a red way , but I feel like it was climactic in an emotional direction . And that ’s something that I felt I wanted to stand out , at least as an creative person , and do something different than you would see in this kind of genre .
More About Into The Deep (2025)
Scout Taylor Compton and Richard Dreyfuss star in this legal action - packed thriller where modern - daylight pirates on the hunting for sunken drugs abduct a boat of tourists and force them to dive into shark - infest waters to retrieve the contraband !
Into the Deepis now on VOD and digital platforms .
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Into the Deep follows divers in quest of deep-set treasure who inadvertently find a drug mountain gone wrong . Their plight worsen as they are hunt by modern - daylight pirate and a formidable corking white shark , threatening their survival in unforgiving waters . The celluloid explores report of greed , survival of the fittest , and the pitiless nature of the sea .
